With the Southwark Stanza of the Poetry Society Kate is collaborating on a project adding ‘rooms’ to a ‘building’ of poems. Alongside the Shrewsbury Stanza, her Stanza will be reading some of the Rooms poems at the Poetry Cafe, Covent Garden on Wednesday 23 Sept at 7pm to 9.30pm, free, http://poetrysociety.org.uk/event/10046/
Jenny Lewis reports in the Poetry Society’s newsletter on The Place for Poetry, a conference held at Goldsmiths in May, and begins her list of “Festival highlights” with “Kate Miller reading from her debut Carcanet collection.”
‘At the Root of the Wind is Strife (according to Empedocles)’ has been Highly Commended in The Observances and will appear in the 2016 Forward Prize Anthology to be published in September 2015.
Invited by Kathryn Maris, guest arranger, Kate reads with Simon Barraclough, Anthony Howell and others at The Shuffle on 30 May 2015. This is held at 7.30pm on the last Saturday of the month at Poetry Cafe , 22 Betterton Street, London WC2H 9BX, in the cellar which is small and can get packed and very hot – arrive in good time and have a drink in the cafe above.
On Tuesday 12 May at 7.30pm in The Old Library Dulwich College, Kate will be talking about attentiveness in poetry with Rupert Christiansen, opera critic and writer, discussing poems they have together selected and what it takes to make a poem. Plus she will be reading from The Observances. Copies on sale from Rye Books.
Goldsmiths Writers Centre is hosting a two-day conference on the place for poetry with Paul Muldoon, Blake Morrison, Maura Dooley, Emily Berry and – along with a number of other Americans – Dan O’Brien, latest Aldeburgh First Collection winner, among its keynote speakers and readers.
On Friday 8 May, 2015 Kate will read from The Observances at 1.15, joined by N.J. Hynes and Rebecca Farmer, recent fellow alumnae of Goldsmiths.
This stretch of water and land reclaimed from a vast gasworks for housing/schools beyond the O2 dome was backdrop to the successful launch of The Observances on 16 April 2015. As one guest of the evening noted in his blog, the tide was flowing fast between the clanking barges that carry containers full of London’s litter away down the Thames (while literature drifts the other way, we hope, into the city, bookshops!, memory).
Shearsman 103 & 104 ( Summer 2015) publishes two poems charting the work of artists whose day begins at first light: Reach – Monet in his boat on the Epte, assisted by his daughter in law, Blanche Hoschédé, and A Bird does not sing because it has an answer – an artist working with sound recording in a forest in Kent.